Mumford & Sons Return to Brisbane After Seven-Year Hiatus with Unpredictable, Two-Hour Set
The folk-rock trio played 24 songs across two stages, with frontman Marcus Mumford sprinting through the seated sections and joking about calling Australians 'c*nts'.

AUSTRALIA —
Key facts
- Mumford & Sons performed at Brisbane Entertainment Centre on a wet night as part of their Prizefighter World Tour.
- The show was their first in Brisbane in seven years, during which they released six studio albums.
- The setlist included 24 songs spanning their discography, with tracks from recent albums Prizefighter and RUSHMERE.
- Marcus Mumford ran through every seated section during 'Ditmas', then jumped into general admission and was pulled back on stage by security.
- The band relocated to a second stage (Stage B) near the mixing desk for part of the show, using a single microphone.
- Mumford & Sons had already performed two shows in Melbourne before the Brisbane date.
- The band admitted to unplanned mistakes, playing up to a minute of a song before stopping and restarting.
A Long-Awaited Return Under Rain
On a wet Brisbane night, Mumford & Sons finally returned to the Brisbane Entertainment Centre, ending a seven-year absence from the city. The sold-out crowd, packed into the mosh pit and stalls, greeted the trio with palpable anticipation. The Prizefighter World Tour stop marked the band's first local show since they last toured Australia, a gap that saw them release six studio albums and amass a deep catalog of beloved songs.
From Johnny Cash to a Roaring Start
The evening began with the lights dimming to black as Johnny Cash's 'Ring of Fire' blared across the venue. The interlude faded into a country-folk guitar track, and the band launched into 'Here', a song originally recorded with Chris Stapleton, whom Marcus Mumford has called his 'favourite vocalist in the world right now'. Marcus Mumford, Ben Lovett, and Ted Deane bounded onto stage with instruments in hand, as if impatient to begin, and the audience surged forward.
Banter, Bluntness, and a Warning to the Seats
Marcus Mumford quickly established a rapport with the crowd, telling seated fans they could stand up and dance. 'Don't worry about the person behind you, just don't be a dickhead. We didn't come here to fuck around,' he said. He later joked that Australia has been a big part of the band's success outside the UK, adding, 'At some point tonight, I might call you all c*nts, and that's fine because we are mates.' The audience responded with laughter and cheers.
A Setlist That Defied Expectations
The band performed for two hours across 24 songs, drawing from their extensive discography. 'I Will Wait', arguably their best-known track, was played third, surprising many who expected it later. 'Badlands', originally with Gracie Abrams, was delivered with haunting minimal lighting, while 'Lover of the Light' featured urgent guitar work, banjo, backing vocals, and a three-piece brass band. The setlist balanced old hits with new material from Prizefighter and RUSHMERE, the latter released just a year before.
Unrehearsed Moments and a Rogue Frontman
The band admitted several times that they were trying something unrehearsed. At one point, they played up to a minute of a song before stopping. 'Oh no, we've fucked up here. Sorry, folks, we just fucked that one up. That's live music, isn't it?' Mumford said. During 'Ditmas', he ran off stage and through every section of the seated area, moving so fast that the audience had to watch the video screens to track him. He finished by jumping the fence into general admission and was pulled over the barricade by security back onto the stage.
Intimacy on a Second Stage
After the first half, the band relocated to Stage B, a tiny platform set up in front of the mixing desk at the back of general admission. With only one microphone, Mumford joked that while it was impossible to tell Australians to shut up, they would have to try not to make a sound as the band leaned in. The setup created an intimate contrast to the main stage, bringing the performance closer to fans in the rear seats.
A Night of Connection and Spontaneity
Mumford & Sons' candid chat and unpredictable antics made every audience member feel connected, from the front row to the nosebleeds. The band's willingness to embrace mistakes and engage directly with fans—whether through selfies, hugs, or running through the aisles—turned the concert into a shared experience. With two Melbourne shows already behind them, the trio appeared both confident and earnest, delivering a performance that felt as much about the moment as about the music.
The bottom line
- Mumford & Sons played their first Brisbane show in seven years, performing 24 songs over two hours.
- The setlist included hits like 'I Will Wait' and newer tracks from Prizefighter and RUSHMERE.
- Marcus Mumford ran through the entire seated area during 'Ditmas' and was pulled back on stage by security.
- The band used a second stage near the mixing desk for an intimate segment with a single microphone.
- Unrehearsed moments and blunt banter with the audience defined the show's spontaneous atmosphere.
- The concert reinforced the band's strong connection with Australian fans, whom Mumford jokingly called 'c*nts'.
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