Why The Devil Wears Prada is making news

The Devil Wears Prada 2 finds the magazine industry in a much less glamorous place. The Devil Wears Prada has emerged this Saturday as one of the stories drawing attention in Saudi Arabia.

Key facts

• The Devil Wears Prada 2 finds the magazine industry in a much less glamorous place.
• But in The Devil Wears Prada 2, Hollywood’s latest nostalgia-baiting follow-up film, the crisis is no longer personal—it’s existential.
• The Devil Wears Prada debuted amid the glorious roar of capitalism.
• The hit 2006 comedy took place in a world where magazines were still triumphant, with Runway, a fictional, Vogue-esque publication the film was centered on, sitting firmly atop the heap.
• Prada 2 is not completely without flash—one set piece takes place at the Met Gala, while another features da Vinci’s The Last Supper as a backdrop, and everyone’s always dolled up in the finest couture.

What we know

Going deeper, But in The Devil Wears Prada 2, Hollywood’s latest nostalgia-baiting follow-up film, the crisis is no longer personal—it’s existential.

On the substance, the Devil Wears Prada debuted amid the glorious roar of capitalism.

Beyond the headlines, the hit 2006 comedy took place in a world where magazines were still triumphant, with Runway, a fictional, Vogue-esque publication the film was centered on, sitting firmly atop the heap.

More precisely, Prada 2 is not completely without flash—one set piece takes place at the Met Gala, while another features da Vinci’s The Last Supper as a backdrop, and everyone’s always dolled up in the finest couture.

It is worth noting that But Prada 2 isn’t as afraid of the hustle as its forebear; although Andy has a pretty good head on her shoulders, the big arc of the film involves her, Miranda, and the ever-reliable Nigel remembering that they all want to stay in journalism for the love of the game, even if the events don’t stay as glittery.

By the numbers

At this stage, It’s time for a sprightly and amiable sequel to the adored mid-00s Manhattan romcom that followed the adventures of would-be serious writer and saucer-eyed ingenue Andrea “Andy” Sachs, played by Anne Hathaway.

On a related note, In fact, the hauteur prerogative has passed on to Andy’s old nemesis, the ice queen of aspirational couture and Miranda’s former top assistant Emily, who is now the head of Dior, calling the shots and making the shrewd point that ultra-luxury brands for the 0.1% are recession-proof.

Going deeper, To do that, they become embroiled in the antics of dueling tech billionaires (and exes), searching for patrons that will allow them to keep the magazine afloat.

On the substance, that trajectory may be depressing to consider, but it’s also as credible as Prada 2 gets—and who am I to bemoan my movie-star fun being zhuzhed up with a little smack of realism?

The wider context

On a related note, the fashion and magazine industries have had a makeover but this glossy knock-off reunites the old team

Going deeper, the only concern was whether Andy Sachs, a plucky aspiring journalist played by Anne Hathaway, could survive working as the assistant to Runway’s imperious editor in chief, Miranda Priestly (Meryl Streep), without totally losing her sense of self.

On the substance, the director, David Frankel, has mostly specialized in mediocre dramedies since the success of the first Prada, while the screenwriter, Aline Brosh McKenna, has done her best work in television since then.

Beyond the headlines, Twenty years have gone by; the fashion and publishing worlds have changed but Satan’s clothing and accessory choices are pretty much what they were.

More precisely, Straight out of college in one of the flyover states, she fluked a job at iconic New York fashion magazine Runway, edited by the terrifying and amusingly surnamed Miranda Priestly, played of course by Meryl Streep.

The bottom line

• The Devil Wears Prada debuted amid the glorious roar of capitalism.
• The hit 2006 comedy took place in a world where magazines were still triumphant, with Runway, a fictional, Vogue-esque publication the film was centered on, sitting firmly atop the heap.
• The fashion and magazine industries have had a makeover but this glossy knock-off reunites the old team – and recycles the old plot.